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COUNTDOWN IS BACK THIS JANUARY, 2019 ... ON rage !!!!! Stay tuned below with regular Countdown full archival information for each Countdown episode rage shall be airing every Saturday throughout January ...
I guess I must qualify as that no one as I certainly remember Missing Me, I thought it was the Pandas best track. For several years I requested the Countdown episode that the clip appeared on and was very happy when they showed it in 2011.
The reason many from later generations can't remember it is because it never gets played on radio anymore and hasn't for the best part of 30 years. It did get to No24 on the Melbourne 3XY charts.
I too remember it - though until now never knew who it was by or what it was called.
I remember an episode of C'mon Kids mentioning (or featuring) Electric Pandas on it, probably from early 1986. But I didn't think I knew any of their music at the time (even 'Big Girls' passed me by) until now.
You mention radio not playing it. I can't recall when or where, but I know I've definitely heard it somewhere 'recently' (recent being in the last 5 years or so). Maybe it was while getting a haircut or something, or in a shop, as I haven't listened to the radio in years. But I remember noticing the track, and thinking "I must find out who this is by/what it's called"... but then forgot all about it until reading Gavin's blog post and playing the video.
I probably saw it during rage retro month in 2011, but might have fast-forwarded through it. I hope I kept it.
Seven new entries, seven classic songs: Gambler, Running Up That Hill, Cherish, Invincible, Johnny Come Home, In Between Days and St Elmo's Fire (Man In Motion).
Plus, top 50 misses from The Dream Academy, Sheila E, Loverboy, Amy Grant, Geisha and Placido Domingo.
Whitney finally breaks into the top 50... with a cover. Rose Tattoo also take a remake into the chart. And new entries from Aretha Franklin, ZZ Top, Prefab Sprout and Red Box
Plus, top 50 misses from Sting, Electric Pandas, The Church, Cheech & Chong and Feargal Sharkey.
It certainly made the chart a curious read during that fortnight if not downright 'weird' as "Entry Number Ones" were something that the US and UK had in abundance and were somewhat 'alien' to my eyes [then].